My Guitars
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NB: There are some
sound samples at the foot of this page.
I did a little counting up
the other day and I reckon I've owned around fifteen guitars over the last forty
plus years. Some were 'planks', like the early ones, some were acoustic and the
majority electric. I made some mistakes along the way like selling a beautiful
white, maple necked Strat that I only owned for a
few days. I'd fallen in love with a Les Paul Custom (that I still have)
and my wife didn't see the logic in having both. I wonder, do golf widows find
it puzzling that their husbands have a bag full of clubs when patently only one
would suffice?
I own eight guitars at the
moment and I have no single favourite as they all sound different and serve
different purposes at different times.
I have periods when I only play my Eric
Clapton Signature Strat, 'Blackie', and then for a long while I only play my Les
Paul Gold Top. That's the joy of guitars: they all have
individual 'personalities' and all feel different caressed in your hands or
strapped around you.. (thank you, that's enough. Ed).
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Gibson Les Paul '56 Gold Top
This a 'Custom Shop Edition' reissue that I bought new in August 1994. The plush lined case befits the elegance of this beautiful guitar. The pick ups are referred to as 'soap bar' pickups because they look (and feel) like bars of soap.
I'd always wanted a LP Gold Top since seeing Danny Kirwan using one in Fleetwood Mac in the late 60s. The guitar is a joy to play and sounds superb, with a firm, bell-like tone. Think early Freddie King.
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Gibson Les Paul '56 Gold Top
When I bought the guitar from new I had a modification done to add an 'out of phase' option, which is activated by pulling out one of the tone knobs to a detent. It clicks into place and makes the guitar sound sweet and 'honky' just like Peter Green's Les Paul in his classic Fleetwood Mac days.
There's always been some controversy over this; some say Peter disassembled his Les Paul and in putting back together accidentally reversed one of the pickups making it out of phase.
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Fender Artist Series Eric Clapton Stratocaster
Modelled on Eric Clapton's 'Blackie' this is a very comfortable guitar to play. The maple neck has a rubbed un-varnished finish and is shaped with a slight 'V' so it sits nicely in the hand.
A tremelo arm is supplied but the mechanism is blocked with a small piece of wood in the back of the guitar, as Eric never uses a whammy bar. |
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Fender Artist Series Eric Clapton Stratocaster
The pickups are Fender Lace. The latest version of this model has Vintage Noiseless Pickups that also have the six pole pieces on each pickup visible.
At the foot of this page is a button you can click to play a sound sample of the Eric Clapton Strat. |
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Fender Artist Series Eric Clapton Stratocaster
The pickup selector switch is 5-way. Original Stats were 3-way and in the old days some guitarists would use a matchstick to jam the switch between the positions, seeking 'out of phase' tones.
This EC model features a master tone control and also a special 'Master Active Mid-Boost' to add a more heavier 'broken up' tone, e.g. as on 'Layla' or 'Bad Love'. |
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Gibson Les Paul Custom
Here's my trusty 1976 Les Paul Custom, in wine red with gold plated parts. This is the heaviest of my guitars due to the mahogony body, weighing in at 10.5 lbs (4.8k) - nearly 30% heavier than the Strat's 8.25 lbs (3.7k). The Custom can be a bit of a burden after two one hour sets. |
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Gibson Les Paul Custom
You can see where the gold plate has worn a little on the saddle piece - but still not bad after having been gigged quite strenuously over the years. |
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Gibson Flying V
My wife bought me this one for my 50th birthday. I've only gigged it once and found the pickups a bit 'hot' for my style of playing. |
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Gibson Flying V
'Buffy' stands guard. |
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Epiphone Flying V
This Epiphone Flying 'V' was the cheapest of my guitars and as such it has tuning problems which I ought to get fixed if possible. The pickups sound great though, so I keep it around the studio for general noodling duties. |
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'Lemon Drop' Les Paul Standard
This is a new guitar from Vintage in their 'Icons' series and is a faithful copy of Peter Green's old Les Paul that he gave to Gary Moore who sold it to a collector in 2006 for somewhere near $1m. |
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'Lemon Drop' Les Paul Standard
The replica includes all of the dings, etc. of the original including worn away neck (above), visible screw holes from when Peter Green replaced the machine heads, missing pickup selector knob, worn picking area below the bridge pickup and 'arm' worn area on the lower bout (see picture left, top left). |
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Fender James Burton Artist
A superb brand new Fender James Burton Artist Series Upgrade Telecaster. It was supplied and beautifully set up by Regent Guitars, UK. The smell when you open the case is nothing short of divine! I hear occasional grumbles about 'falling standards' of large-corporation guitars but I have to say this one is everything I expected it to be, and more. |
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Fender James Burton Artist
This model comes in red or blue paisley, but I personally find the blue finish more 'cool'. Strings are Ernie Ball 9's. Unusually, the paisley effect is carried through on the back also. |
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Hand Painted Gibson SG
This is a new guitar, handpainted by a gifted artist called James Walsh who specialises in re-creating painted guitars from the past. This is a faithful version of the 1964 Gibson SG that was given a psychedelic finish in the 60s by Dutch artists Dutch artists Simon Posthuma and Marijke Koger known as 'The Fool'. The artists are primarily known for their association with The Beatles and the gigantic mural on the outside wall of the building that housed the band’s Apple Boutique. (Around this time, they also painted a Fender bass for Eric’s Cream bandmate, Jack Bruce.) |
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Hand Painted Gibson SG
There's some confusion as to whether George Harrison commissoned the guitar from 'The Fool' artists or whether Eric did. Eric used the Fool Guitar during the recording of “Disraeli Gears” and would play it on stage until the band broke up in November 1968. It is also referred to as the “Psychedelic SG”. In December 1968, Eric loaned the guitar to singer Jackie Lomax, when he played on sessions for Lomax’s album, “Is This What You Want?” (Apple). The guitar remained in Lomax’s possession for four years. |
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Hand Painted Gibson SG
In 1972, Lomax sold the guitar to Todd Rundgren in a very bad state of repair. Rundgren paid Lomax $500 for the Fool Guitar and re-named it “Sunny.” Rundgren used the guitar regularly on stage. He later had several copies made and placed the original in storage. At some point, he had the original restored and the paint retouched. In 2000, Rundgren sold the original Fool Guitar at a Sotheby’s auction for $150,000. I saw the guitar in a glass case in the Hard Rock restaurant in Washington DC when there on holiday a few years ago. Whether it's the original or not I can't say. |
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Fender American Standard Stratocaster HSS
I finally resolved my regrets from years ago of having hastily sold my new Olypmpic White Maple Neck Strat. I recently bought this tasty new Maple Neck Strat in 'Shoreline Gold'. It's the only guitar I have with a whammy bar - maybe the first in fact, so I'm not too adept at using it yet, other than giving it the occasional excessive waggle.
The satin maple neck feels particularly nice - for me a Strat just has to have a maple neck! |
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Fender American Standard Stratocaster HSS
This Strat, which is from Fender's new 2008 range by the way, also has a humbucker pickup at the bridge position as well as the two usual single-coil jobbies, so I should be able to get the best of both worlds in terms of sounds. |
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For those of you new to the heritage of
Gibson and
Fender, the
tone differences between them are defined by their distinctly different pickups. Fender Stratocasters began with (and still have on most models) single coil
pickups, where a single strand of wire is wound many times around each of the
six pole pieces. They have a characteristic clean sound but can be
susceptible to interference and humming if brought into close proximity with
other electronic sources. Typical Strat tones can be heard on Dire
Straits' "Sultans of Swing" where Mark Knopfler coaxes a variety of different
tones from his Strat, and of course The Shadows' Hank Marvin used a Strat on
almost almost all of their hits apart from a very short spell when they used Burns guitars.
Gibson guitars in the late 50s developed the 'hum-bucking'
pickup whereby two strands of continuous wire were wound around the
pickup poles but in opposite directions so that any induced electronic
interference became self-cancelling. These pickups have a distinctive
'fruity brown' tone and when matched with Marshall valve amplification driven to
slight distortion the resulting sound is the one that defined a generation of
rock music. The best, and definitive, example for me is Eric Clapton's
work on the 1966 'Beano' album by John Mayalls' Bluesbreakers, where Eric used a
Les Paul Standard and a new concept Marshall combo amp turned up very loud
(relative to recording studio standards of the time) to the levels he used at live gigs. His solos on this album are
simply astounding. Jimmy Page also made the Les Paul sing in spectacular
fashion, and Peter Green made it convey some of the best blues tones ever
squeezed from a guitar.
The Strat can be made to rock as well of
course, Jimi Hendrix proved that. He coupled the Strat to stacks of
Marshall amplification to achieve his innovative sounds, and Jeff Beck is still
making his inimitable weird and wonderful noises from a Strat having switched
over from a Les Paul in the late 70s. Eric Clapton also switched to using
Strats at the same time, heavily influenced by seeing what Jimi Hendrix was
doing with them, although my personal view is that Eric has never produced such
energetic, angry, risky guitar solos since he swapped.
Here are thee short MP3s which give you an idea
of the difference in sounds between Strats and Les Pauls. Not played by me
I should add! The Eric Clapton Strat sample shows how it can go from sweet
and clean to loud and dirty using the built in 'Active Mid Boost'
facility. The first Les Paul sample is the definitive rock 'widdle'
and the second shows how mellow and full the Les Paul can sound when played at
lower amplifier
levels. I didn't play these samples but borrowed them from the Fender and
Gibson web sites for educational purposes only. Enjoy!
Eric
Clapton Strat
Les
Paul - Rock
Les
Paul - Mellow
Here's another short MP3, this time of me playing
my Lemon Drop, pictured in the gallery above. I recorded it for someone on
a guitar forum who was curious about the tones it can make for an 'economy'
guitar. If you're curious, the first part of the track was played on the
Lemon Drop's bridge pickup and the second part on the middle position, i.e. both
pickups selected which is designed to give the classic Peter Green/Snowy White
out of phase 'honk' sound.
Lemon
Drop Noodle
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